Also below, the best films from Britain , Europe , the USA , Latin America and Asia, those by female directors and those released in the UK in 2016. Sight & Sound contributors Updated: 12 April 2017 Tweet 1. Toni Erdmann Maren Ade, Germany-Austria Trailer
So here they are the top films for me in 2016. Easy. Leo Goldsmith. Film Editor, the Brooklyn Rail, USA. The Human Surge Eduardo Williams. The Illinois Parables Deborah Stratman. …
Dec 02, 2016 · Sight & Sound’s film of the year, ‘Toni Edrmann.’ (Credit: Soda Pictures) Conducted annually, the BFI poll critics and curators (totaling 163 this year) to name the greatest cinematic works of the year – and coming in first place this year was ‘Toni Erdmann,’ a German/Austrian comedy drama from director Maren Ade.
Time again for our annual international critics’ poll of the year’s top movies. This year we asked 163 critics and curators to name their five best films of the year – and the results are a small …
Late Spring (1949) Au Hasard Balthazar (1966) Seven Samurai (1954) Persona (1966) Mirror (1975) Singin' in the Rain (1952) L'Avventura (1960) Le Mépris (1963) The Godfather (1972) …
1 Toni Erdmann (2016) Rotten Tomatoes® 93% 2 Moonlight (2016) Rotten Tomatoes® 98% 3 Elle (2016) Rotten Tomatoes® 91% 4 Certain Women (2016) Rotten Tomatoes® 92% ADVERTISEMENT 5 American Honey (2016) Rotten Tomatoes® 79% 6 I, Daniel Blake (2016) Rotten Tomatoes® 92% 7 Manchester by the Sea (2016) Rotten Tomatoes® 96% 8 Things to Come (2016) 9
Toni Erdmann directed by Maren Ade Moonlight directed by Barry Jenkins Elle directed by Paul Verhoeven Certain Women directed by Kelly Reichardt American Honey directed by Andrea Arnold I, Daniel...
A list of 289 films compiled on Letterboxd, including Toni Erdmann (2016), Moonlight (2016), Elle (2016), Certain Women (2016) and American Honey (2016).
Toni Erdmann directed by Maren Ade Moonlight directed by Barry Jenkins Elle directed by Paul Verhoeven Certain Women directed by Kelly Reichardt American Honey directed by Andrea …
Lists won’t do justice to the fusillade of noirs that appeared this year, several out of the blue: Byron Haskin’s Too Late for Tears (Flicker Alley), Arthur Ripley’s The Chase (Kino), …